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The series of paintings titled "gespenstische wahrheit“ (2023), named after a subchapter in Marcus Steinweg's "Metaphysics of Emptiness," can be read as a painterly experimental arrangement for a poetics of physical relationships. The artist Tasnim Baghdadi is primarily interested in the imaginary potential and the metaphysical interpretability of quantum physical phenomena, such as Einstein's once described "spooky action at a distance“ that was refuted by the evidence of quantum entanglement and that the artist reinterprets in her work. A central question that drives the artist's work and practice in the context of these relationships and the knowledge of their transience, hiddenness, and impenetrability is what it means to imagine an impossible image.